sigune: (Brynhild)
*points at “not” in title*
You have been warned.
Also, this post contains spoilers for DH. The spoiler in the drawings is relative, if you ask me :-).

Feel free to skip all the tutorial stuff (which is image-heavy and, well, totally unprofessional) and sneak a peek at the pictures in my LJ gallery, here (pencils); here (inks); and here (watercolour).

I should really be doing other things, but I am still trying to cope with Deathly Hallows (*g*) and found that I needed to get a silly picture out of my system (in fact, more are popping up; I must squash them, aaaargh!!!). I wasn’t quite sure how it was going to work out, and I made scans and took pictures of the several stages, so I thought I might as well share them. Hence: a tutorial of sorts, though I’m not quite convinced that anyone stands anything to gain from my totally uninformed methods…

The picture is rated G (big surprise :P) and it’s a sort of joke. But it won’t work unless you know that the woman with the huge nose is my OFC, whose name is Brynhild.

Photo Sharing and Video Hosting at Photobucket

Hojotoho! )




1. What I Used
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2. Pencils
Read more... )




3. Inks
Read more... )




4. Watercolour Pencils
Read more... )




5. Watercolour Paint
Read more... )

The Ride of the Valkyrie )




I shouldn’t have been drawing and writing this when I still owe:
[livejournal.com profile] bethbethbeth a drawing;
[livejournal.com profile] redvelvetcanopy a drawing;
somebody at [livejournal.com profile] dh_predictions a drabble/drawble/ficlet/whatever;
lots of people replies to their comments on my previous two posts;
and the world (;P) a heap of RL writing –

…But I couldn’t help it. Will change my wicked ways as best I can. Trying to catch up.
sigune: (The Blood of Fish)
Ahem.

Welcome to my first sort of attempt at something supposed to resemble a tutorial. The best thing I could think of was to take you step by step through the process of inking a picture, and addressing as many issues as possible with your answers to my tutorial poll as a guideline. Because some of the issues you have put to me are quite terrifying (and, to be frank, I don’t think I am the right person to help you with them), I opted for a focus on something in which I at least have a little confidence *g*.

A note before I start:
The only education I ever received art-wise was in secondary school, one hour a week in my first two years there (ages 12-13). The only thing I actually learnt and remembered was a thing my teacher told me at the very beginning: that the single most important thing for any artist is to develop a personal style, a manner that distinguishes him or her from all others. The teacher in question was quite a celebrity in my hometown, and maybe she said it as an easy excuse for not teaching us anything resembling technique; but the fact is that I always did remember those words, and whatever its countless shortcomings, my art is recognisably mine.

I have drawn countless pictures, teaching myself by copying all manner of artists – comics artists (Merho – as a girl; then Wendy Pini; later Enrico Marini, Mike Mignola, Colleen Doran, and Linda Medley), illustrators (Warwick Goble, Arthur Rackham and Aubrey Beardsley), and several greats of the artistic canon (Alfons Mucha, Gustav Klimt). Though I have consulted a number of “How To” books, I have learnt much more from looking at what my favourite artists do. I am afraid I do not believe in the “How To” style. Whenever an art book tells me what I should do, I do it differently. That is not just because I am stubborn (I am, very) and difficult (I certainly am), but also because I don’t want to be a clone. I would therefore ask you not to treat what follows as “How To”. I called it “How Not To”. But if you find something that you can bend to your purpose – well, that’s good, of course :D.

Warning: very image-heavy! )

1. First Things First: What and When
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2. Stuff I Used:
Read more... )
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3. Design and Draw: The Sketch
Read more... )
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4. Tracing
Read more... )
~*~*~*~*~


5. The Inking
Read more... )

March 2022

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