More test thingies

[sigune]

I am, as you know, very busy experimenting with all sorts of techniques for the final version of the comic. Below are two pages from the storyboard that I used for testing Photoshop stuff on. The first page has been coloured digitally (it's Nekkid Ygraine from page 66, so you may possibly not want to click it at work, even though she's just sleeping, I dunno); the second one has been lettered digitally with a free font from Blambot.

Please let me know what you think!






I coloured this in a very simple way, and relatively quickly. The result is not too bad, I think. But next, I tried to colour the page below and soon discovered that everything gets really complicated and time-consuming once there are several frames on one page :/. Part of the troubles originated from my use of vector paths as panel frames. I won't need to *draw* frames in Photoshop in the final version, so that's a bit of mess I wouldn't have to worry about, but still: my skills are not quite up to scratch.






I rather like this font. It's not difficult to letter in Photoshop, and to be honest, I kind of enjoy getting neat letters in neat lines. I never draw lines when I hand-letter, just because it's too much of a bore. But the result tends to be a little bit ... well ... amateurish :). But ... do you like the digital version?

Comments

[sigune.livejournal.com]

You know, that is one of the difficulties for me too. It's one thing to judge a standalone image, but another to imagine what a page full of this kind of images will look like. That's why I think I can't be sure until I have made an entire page by way of test. That makes testing rather time-consuming, but it seems best to do it now, rather than when I'm well into the story. *g*

I like hand-lettered comics myself, but the most important thing about a font is that you can read it without problems, I would say. It seems to me that for on-screen reading, that issue is even more poignant. I tried a few fonts that would be perfectly fine in print, but weren't that comfy on screen. Since the comic's primary form is going to be that of a web comic, I feel that it is of major importance that its font is soft on the web reader's eyes.

I'm in for a trial-and-error process here, also with the colouring. The trick will be to make the best compromise between screen, print, skill and time management. Quite a few elements to take into account, heh...

[the-winterwitch.livejournal.com]

In this case, I'd stick to the Red State, Blue State for the speech bubbles. The ale&wenches for captions could work well, but I'm afraid I can't judge from my imagination only. It's my experience form other medias, mainly fanfictoin or generally writing, that screenreaders tend to be hasty consumers who want to have it easy. And it's certainly wise to take the reflections you mention into consideration for the webcomic.