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Art: Ygraine (G)
I don't want to count the hours I spent working on this small picture! It measures 13 x 21 cm and I started it on the Thalys to Paris. (I have a little something with trains and drawing, don't I?) All that remains from what I drew on the train is the nose, the hand and the rose. All else was reworked again and again. All that to end up with such a flawed drawing... But somehow I like its flaws. They give Ygraine something a little bit otherworldly, which is quite appropriate to the character.


(See a larger version at deviantART here.)
I didn't expect I would be happy with the colours I got from using colour pencils. But it turns out that I am. Maybe my colours skills have improved, because when I tried colour pencils in a Moleskine sketchbook before, I didn't like the result at all. Now I am actually looking for a type of paper as close in texture to Moleskine as I can find, because I want to do this again in the future on loose sheets :-).
I spent more time and effort than usual researching the costume and jewellery (even though you don't see a whole lot of it *g*). That is because this drawing is part of my concept pictures for the final version of The Darkest Hour. More will follow.

(See a larger version at deviantART here.)
I didn't expect I would be happy with the colours I got from using colour pencils. But it turns out that I am. Maybe my colours skills have improved, because when I tried colour pencils in a Moleskine sketchbook before, I didn't like the result at all. Now I am actually looking for a type of paper as close in texture to Moleskine as I can find, because I want to do this again in the future on loose sheets :-).
I spent more time and effort than usual researching the costume and jewellery (even though you don't see a whole lot of it *g*). That is because this drawing is part of my concept pictures for the final version of The Darkest Hour. More will follow.
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The process was a special experience for me. The first drawing wasn't very good, and usually I start all over again in such a situation. This time I kept working on the same picture (partly because the paper allowed me to - it didn't get damaged), forcing myself to look for improvements, to add details and even (!) to do a background *g*.
I'm glad you like the rose, and happy that I put it in :-).
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(And of course I noticed--and squeed over--the fibula fastening her gown! Your attention to detail definitely pays off :-)
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It's wonderful to read that the picture and the colours work like this. To me it feels as if this picture just - happened. The colours, that is, because they came more or less spontaneously, in contrast with the hours of work on the line art.
Your 'emotional reaction' brought a big smile to my face. It will sound silly (...or tragic? *g*), but drawing beautiful women turns out to be really difficult for me. The story requires Ygraine to be the kind of woman for whose love a king conducts a great battle against his best friend. That makes drawing her a little bit - stressful ;-).
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(I especially like the glint of light on the coils of her upper arm bracelet)
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The glint started as an accident :P. I erased a part of her arm and a bit of the bracelet went too. When I saw that, I thought it looked like a great way to do a glint :-). Glad you like the effect!
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It does teach me to continue working on a picture until it is quite finished ;-). It's almost ridiculous what a difference a background, even as simple as this one, can make. It took me this long to realise how lazy I have been before *g*.
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I especially like the background colours - the yellow and green - and how they work with the red, green yellow of her rose. Very delicate.
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I do like polish. Pencils do give you the most perfect control. I'm going to try pencils on Bristol paper next and see where that takes me...
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But also kudos to you for the gorgeous gown and all of the details. I'm simply amazed. :)
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She's a bit like Helen of Troy: men do crazy things for her. That's why I get very nervous (and often desperate) trying to get her looks right...